The Art of Metal: How I Bring Sculptures to Life

By Pamela Ambrosio

Metal is often seen as cold or rigid, but I’ve always found it full of possibility. When I start a new piece, it usually begins as a sketch—sometimes detailed, sometimes just a rough idea that lives in my head. I keep a notebook nearby for the moments inspiration hits, whether it's from a shape in nature, a gesture I’ve seen, or just a feeling I want to chase.

From there, I begin shaping the metal. I use heat, pressure, and tools I’ve come to know like old friends. It’s a physical process, but it’s also quiet in a way. Focused. Thoughtful. Hollow-form construction allows me to build large, dimensional pieces without unnecessary weight, and I love the way it balances strength with grace.

Every sculpture has its own rhythm. Some come together quickly, others take their time. But no matter the pace, the goal is the same: to create something that holds presence. Something that feels alive in the space it inhabits.